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In her solo exhibition "I feel like a dancer, a choreographer, a pianist", Katja Pudor shows a complex of drawings that are the result of an intensive examination of complex processes of reception and transfer and see themselves as seismographic traces of these processes. For Pudor, drawing is the medium that makes visible the condensation of experienced time, the recording of the momentary present, which is passing and has become the past, in the sense of setting traces on paper. 
Ludwig van Beethoven, Piano Sonata no. 32 (1822), 2021, duration: 30 min, ink on paper, various brushes, 240 x 150 cm 
Ludwig van Beethoven, Piano Sonata no. 6 (1798), 2021, duration: 12 min, ink on paper, various brushes, 240 x 150 cm Ludwig van Beethoven, Piano Sonata no. 32 (1822), 2021, duration: 30 min, ink on paper, various brushes, 240 x 150 cm 
Ludwig van Beethoven, Piano Sonata No. 8 (1799), 2021, duration: 18 min, right and left hand, graphite pencils on paper, 29.7 cm x 42 cm 
Ludwig van Beethoven, Piano Sonata No. 2 (1795), 2021, duration: 22 min, right and left hand, ball point pen on paper, 29.7 cm x 42 cm 
Ludwig van Beethoven, Piano Sonata No. 2 (1795), 2021, duration: 22 min, right and left hand, ball point pen on paper, 29.7 cm x 42 cm |